The Anzac legend has blinded Australia to its war atrocities. Its time for a reckoning (Dec 7, 2020)
December 8, 2020
For years, Australians have faced asteady stream of investigative media reportsabout atrocities allegedly committed by the countrys most elite soldiers in Afghanistan.
Yet, nothing could have prepared the nation for the breathtaking contents of thelandmark report by Major General Paul Breretoninto the actions of special forces, released last month after a four-year investigation. The reaction across Australia was one of horror and disbelief.
The inquiry foundcredible evidenceto support allegations that 39 Afghan civilians were illegally killed by Australian soldiers, some having weapons planted on them to make them appear to have been combatants.
Read more:Allegations of murder and ‘blooding’ in Brereton report now face many obstacles to prosecution
Prisoners were shot for reasons as obtuse as saving the need for a second helicopter trip. Others were allegedly killed in a practice known as blooding, in which new soldiers were encouraged to achieve their first kill. In one particularly appalling incident, special forces allegedlyslit the throats of two 14-year-old boysand dumped their bodies in a river.
For most Australians, this is more than just rogue soldiers being found out for despicable behaviour. The depth of revulsion felt by many reflects the special place the country reserves for its armed forces, who have come to personify all that is best about Australia.
Chief of Defence Force Angus Campbell has been under pressure from some politicians to resign.Mick Tsikas/AAP
Where the Anzac legend originated
Military history sits at the heart of the Australian national identity most visibly through the Anzac legend.
The word Anzac is an acronym for Australian and New Zealand Army Corps. It was coined during the early phases of the first world war, when Australians and New Zealanders were part of an allied force thatlanded at Gallipoliin modern-day Turkey in April 1915.
The invasion, devised by Britains first lord of the admiralty,Winston Churchill, was unsuccessful in its goal of reaching Constantinople and knocking the Ottoman Empire out of the war.
British, Australian and New Zealander soldiers constructing bombs at Gallipoli in 1915.Archives New Zealand/Wikimedia Commons
But the young Australian nation, federated in 1901, took from the failed campaign a mythology of national birth.
Australia had been created during an age of elevated propaganda about empire, monarchy and the glory of battle. War was held to be the truest test of the character of men and nations.
In this era of new imperialism, the peaceful union of Australias six British colonies carried a taint of illegitimacy because no blood had been spilled (the frontier wars with Aboriginal peoples did not count). The British journalist Alfred Buchananwrote in 1907that he
pitied the little Australian [] looking to nourish the flame of patriotic sentiment, [for ] the altar has not been stained with crimson as every rallying centre of a nation should be.
So, by the first world war, it was believed that a good showing in battle would expunge the convict stain and prove Australians worthy members of the British empire.
This is why the date of the Gallipoli invasion, April 25, quickly became Australias most sacred national day. The young nation was drenched by a tide of khaki nationalism that has ebbed and flowed ever since.
War memorials and monuments were raised in towns and cities around the country, where citizens still gather each Anzac Day to engage in the rituals of what the late historian Ken Inglis called Australias civil religion.
The first Anzac Day parade in Sydney on April 25, 1916.Century of Pictures, Penguin Books/Wikimedia Commons
How the Anzacs continue to be revered
Beginning in the 1990s, Australian politicians have also consciously and cleverly linked this nostalgia-tinted history to the work of the modern and highly professionalised Australian Defence Force.
When the honour of Australias revered soldiers is questioned, so too is the national self-image.
For example, a2011 reportinto the culture and personal conduct of members of the Defence Force, prompted by accusations of sexual harassment and other indiscretions, noted the Anzac legend provided an exemplar for the current military.
Read more:Why Australian commanders need to be held responsible for alleged war crimes in Afghanistan
Similarly, in his 2015dawn service speechon the centenary of the Gallipoli landings, then-Prime Minister Tony Abbott lauded the Anzacs for their qualities of compassion, perseverance and mateship.
In reverential tones, Abbott called them the founding heroes of modern Australia, said they set an example for modern day Australians to follow:
Yes, they are us; and when we strive enough for the right things, we can be more like them.
Poignantly, Ben Roberts-Smith, Australias most decorated contemporary soldier andamong the men accused of war atrocitiesin Afghanistan, has also drawn inspiration from the Anzac legend.
Roberts-Smithhas saidthat Gallipoli is a big part of who we are as Aussies, and reflected on his boyhood fascination with the Anzacs:
While other boys had posters of sporting heroes, I had posters of soldiers.
A history of misconduct in war
But the idealisation of this Anzac history has always required Australians turn a blind eye to uncomfortable truths.
Australian soldiers in the first world warkilled prisoners, deserted in record numbers, caught venereal disease at phenomenal rates and outperformed all other Western Front forces in causing trouble.
In the second world war, Australians were often reluctant to take Japanese prisoners, choosing toillegally bayonet or shoot them instead. And Australian soldiers are known to have committed atrocities alongside their American counterparts inVietnam, including bloodings and throwdowns (planting weapons on civilians after they were killed).
Read more:How Anzac Day came to occupy a sacred place in Australians’ hearts
In recent years, we have become increasingly reluctant to see our Anzacs as killers, even when such killing is legitimate on military grounds.
As represented most famously inPeter Weirs 1981 film, Gallipoli, the Anzac legend has become less about the combat ability of Australian soldiers and more about their suffering. It is war commemoration stripped down and refitted for the age of post-traumatic stress disorder.
The Anzacs that our nation so often lauds are fictional creations, shorn of the malevolence and downright murderous behaviourthey frequently exhibited.
The alleged SAS atrocities do not fit this kinder, gentler version of the legend. They upend the way Australians like to imagine their armed forces, and by implication, themselves.
The final scene in the 1981 film Gallipoli, starring Mel Gibson.
Tethering war to national self-image
We see two possibilities for how the current crisis will play out. The first is the alleged war crimes will slowly be forgotten, just as previous atrocities have been.
There are already signs this is happening. Prime Minister Scott Morrisonlast weeksaid he remained incredibly proud of the ADF and emphasised that the alleged crimes were committed by a small number in a very big defence force. He maintained the reputation of the broader defence force would be unaffected.
Soldiers march during the Anzac Day parade in Brisbane in 2019.Glenn Hunt/AAP
The other possibility is Australia will adopt a more realistic attitude towards its soldiers and the conflicts they fight in.
These conflicts are complex, and rarely conducted without some descent into the moral abyss. Some of our soldiers are not good people, and those that are good are capable of lapses. War is an ugly business, and we pay a price for tethering it so tightly to our national self-image.
As historians of Australias war experiences, we hope and wish for a national reckoning about our record of war atrocities. But as historians of Anzac, we anticipate that the great mythological behemoth will barely sway from its course in the face of these allegations.
Authors
Martin Crotty, Associate Professor in Australian History, The University of Queensland
Carolyn Holbrook, ARC DECRA Fellow at Deakin University, Deakin University

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