ABC’s National Forum fails its first test on antisemitism
Vivienne Porzsolt

ABC’s National Forum fails its first test on antisemitism

The ABC’s new flagship forum failed to interrogate key claims and perspectives on antisemitism, leaving major gaps in a critical national debate.

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Seven good films out of ten – a surprisingly strong year for the Oscars
Ari Mattes

Seven good films out of ten – a surprisingly strong year for the Oscars

For the first time in years, most of the films nominated for Best Picture are genuinely good. From Joachim Trier’s Sentimental Value to Ryan Coogler’s Sinners, the Oscars may finally be recognising cinema worth watching.

Louis Theroux’s Inside the Manosphere exposes the business model of misogyny
Steven Roberts

Louis Theroux’s Inside the Manosphere exposes the business model of misogyny

Louis Theroux's new documentary highlights how online influencers are repackaging misogyny, anti-feminism and male grievance as self-improvement – building profitable digital communities that shape how many young men understand gender and power.

An invitation to dance: How Bad Bunny builds a movement
Sarena Neyman

An invitation to dance: How Bad Bunny builds a movement

Bad Bunny’s Super Bowl halftime show didn’t rely on argument or translation. By leading with joy, culture and curiosity, it quietly broadened ideas about belonging in the United States.

Jimpa lovingly follows in the tradition of artwork about fathers who came out of the closet
Catherine Freyne

Jimpa lovingly follows in the tradition of artwork about fathers who came out of the closet

Sophie Hyde’s film Jimpa explores the personal and generational impact of a father coming out, situating one family’s story within the wider history of gay liberation and changing identities.

For 27 years, the Kyle and Jackie O Show indulged Australia’s most vulgar, sexist impulses
Denis Muller

For 27 years, the Kyle and Jackie O Show indulged Australia’s most vulgar, sexist impulses

The collapse of the Kyle and Jackie O radio partnership highlights a contradiction in Australian media culture – a society that condemns misogyny yet rewarded a program built on vulgarity, sexism and humiliation.

Michael Caine’s voice is iconic. Why would he sell that to AI?
Amy Hume

Michael Caine’s voice is iconic. Why would he sell that to AI?

Michael Caine’s decision to license his voice to an AI company is about more than technology – it's about class, identity and what happens when a culturally “enregistered” voice becomes a digital product.

Lord of the Flies in the age of Trump
Patricia Edgar

Lord of the Flies in the age of Trump

William Golding’s Lord of the Flies remains a bleak meditation on power, fear and civilisation. In today’s politics, its allegory feels newly unsettling.

Saving Meanjin is a victory – sustaining it is the real test
Angela Glindemann

Saving Meanjin is a victory – sustaining it is the real test

Meanjin’s return to Brisbane under QUT stewardship has been widely welcomed, but it also exposes deeper tensions about arts funding, cultural value and what sustainability really means for literary journals.

As Marmite Morrissey returns, let’s talk about the actual music
Glenn Fosbraey

As Marmite Morrissey returns, let’s talk about the actual music

When news broke of a new Morrissey single and album (both titled Make-Up is a Lie), one thing was assured: it was going to get people talking.

Song Sung Blue: a joyful tribute to enduring partnerships, grit and second chances
Patricia Edgar

Song Sung Blue: a joyful tribute to enduring partnerships, grit and second chances

A new film inspired by a real-life tribute act follows two working-class Midwesterners who build a life and a stage partnership through hardship, music and resilience. With Hugh Jackman and Kate Hudson at its centre, it’s a reminder of how powerful a hopeful story can be.

Linklater and Hawke turn a broken partnership into riveting cinema
Patricia Edgar

Linklater and Hawke turn a broken partnership into riveting cinema

Richard Linklater’s Blue Moon uses Ethan Hawke’s portrayal of Lorenz Hart to explore the grief, jealousy and loneliness that can follow a fractured creative partnership. Patricia Edgar argues it is a sharp, claustrophobic film about talent, loss and the human cost of being left behind.

Censorship doesn’t silence – it amplifies
Raghid Nahhas

Censorship doesn’t silence – it amplifies

Attempts to silence writers rarely erase them. More often, they expose insecurity, deepen division, and turn targets into symbols of resistance.



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